Friday, January 3, 2025

Looking back at 2024

 

For me, my blog is a bit like an art journal in that it is a useful record of most of my efforts across the year. It also reminds me of some of the new things I started, some of the old favourites mediums I continue to work with and some achievements. 

In this blog post I simply gather a few of the bits together starting with the boats above. In January I started removing the background of photographs in preparation for doing watercolours- what a journey that has been.

One of the things I like about making stuff is the freedom to gift it to people - I always like to have a stash of metal stars and hearts at the ready such as the stars I made back in February below


Fiona gave me a wood carving workshop as my birthday gift  in 2024 - one of my posts in March showed that I was applying my skills to scrap camphor laurel timber in the workshop.


I love this photo from April - after Fiona, Faith and I had installed the post sculpture Gathering - we see it every day from our front door. Totally fitting that there should be bubbles to celebrate the installation.


Whilst I have branched out into watercolours, hammering metal is still one of my making loves - there is a real honesty of taking discarded objects and being able to give them a new and beautiful life - an image from May showing cut silver-plate and a formed bowl in the rough.


One of the achievements in June was to publish the account of my 2023 solo exhibition (Betrayal and Loss) in the Strathnaver Museum Annex galley. That exhibition was an art milestone but also told an important story. I think the Blurb publication can continue to tell that story. Copies of the publication can be purchased here.


Painting birds from our backyard in July was  a first for me. I was surprised how good they turned out.


August saw Fiona and I back at the cottage in Scotland. One of the challenges for us at the cottage is finding the space to do our art. I have managed to turn the wee garden shed into a workshop; and Fiona and I manage to do sculptural installations in the outdoors when the weather is clement. One of the beauties of doing small water colours is that the kitchen table can become the studio space for both of us as you can in the photo below.


Fiona's solo exhibition Hame was hanging in the Strathnaver Museum Annex gallery for September. She held two booking making workshops with local Farr High school students. Their teacher Tracey brought the S2 students down to see the exhibition and hear Fiona talk about the work. S2 students did an aluminium etching workshop with us in 2023 and were very excited to return to check out their work that is now the Fishers post sculpture installed near the Annex. I was very excited for and with the students.


Whilst Fiona and I continued with our watercolour and completed 2 more assemblage sculptures for the cottage yard, in October thoughts of returning to our Maleny home encouraged me to gather a few beautiful stones from the cove stone beach. I carved grooves into some of them with a diamond saw and inlaid solid silver rod into the grooves. With the application of a bit of mineral oil the beauty of the stone and silver sung.


Each Wednesday I try to do a post on photos that I have taken with my iPhone. I managed to continue this tradition throughtiny yellow-green spider that was crawling over a grey linen pillowcase on our clothesline. Such beautiful contrast in colour.


In November-December I held a pop up exhibition (Brushstrokes - boats, buildings, birds and bovines) of almost 40 post card watercolours I had done thought the year. I thought getting that number of watercolours done was an achievement; but holding an art exhibition party to share the works with friends and colleagues was special.



As I said at the start of this post  -  this review of the year is but a glimpse of some of the fragments and variety of my art life both at our Maleny home and our Scotland for which I am very grateful. 


 













Wednesday, January 1, 2025

A new year

 


As we move into 2025 I hope we can be kind to ourselves, kind to our minds and kind to those around us. 

We are all likely to be challenged by many personal, political and global matters this year. There will be much that will be beyond our control, capacity and capability. 

May we identify and do the little things we can; and remember there will be many many others who will be feeling as we are feeling - we are all facing the issues and challenges of 2025 together.



Sunday, December 29, 2024

Progress

 

I got a couple of hours yesterday to progress the four watercolours I started a week ago. I have been progressing the four concurrently in each painting session. 

Now that I have got the watercolours up to a developed stage, see the opening image and the one at the end, I will focus on finishing each individual piece.

A couple of progress photos  follow.


The other image of two developed works.

I'm not sure what day I will get back to these works; but I hope to complete them in this coming week.

Friday, December 27, 2024

2025 - an uncertain future

 


I have printed my 2025 new year's cards. Fiona and I don't tend to send Christmas cards. Instead we send new year cards which we print at Deckled Edge Press.

As you can see from the photo above this year I have gone with words not numbers. A key reason for this that I wanted to convey the sense that I am having a conversation with myself and friends. In 2025 there will be many big issues that are out of our control. So instead of being ground down by this lack of control I feel I need to just do the small things I can control. This is in part based on a quote of Fiona's - "circles of concern, circles of control" - we have circles of concern (often big issues - e.g. climate crisis, war) and circles of control (often smaller, personal, local things we can do - e.g. kindnesses, individual care and/or support).

My message to myself, and hopefully friends, in 2025 is - let us not beat ourselves up or down; may we just do small positive things.

From a technical perspective the cards are printed on heavy watercolour paper cut into post card size by Fiona; for the year I used Mistral 48 font; for the message I used Marion 30 font; and I used Australian art studio Gum Leaf Green for the ink.

Process photos follow including the proofing print that showed a glaring error.








The 60 cards will take a couple of days to dry; and the process of sending them out into the world will then begin.

Wednesday, December 25, 2024

Peace, love, hope, beauty and joy

 

At this time, and in the coming days, may we share a little more peace and love; may we continue to hold on to hope; may we discover fragments of beauty; and may we find moments of joy.







Sunday, December 22, 2024

Four on the go

 


I'm doing second versions of a few of my postcard sized watercolour and ink pen paintings. 

As you can see from the photo above I have been progressing the early stages of the four watercolours together. This gives me opportunity to lay down the similar underpainting coats of the watercolours. This of course is done after each is sketched onto the 300gsm watercolour paper; and in most cases I have gone over the sketch with a fine cool grey or sepia ink pen - see below. All paintings are based on photos I have taken on our visits to Scotland; and where I have used an app to remove the background.




A couple more process steps are shown in the flooring images.


I will get back to these four paintings next week; but at that point I will work each of them individually I think.


Friday, December 20, 2024

What works with what?

 

My experiments with inks lead me to ask the question: what pen or pencil would I use to sketch the base image for ink paintings; and would different pens or pencil react differently to a coat of alcohol or a coat of acrylic ink.

So with Fiona's assistance I set up a test for a range of pens and pencils on translucent yupo paper: and then swiped a coating of the two inks across the test sheets. You can see how the alcohol test worked in the opening image; and how the acrylic ink worked in the image below.

You will note I drew lines and wrote the different names of the pens and pencils on both pieces of paper - prepared paper below. I also recorded whatever ink was used on each - ink puddles below.




Some observations include: alcohol ink creates a more dramatic effect; black Copic pens seem to work better under alcohol ink; alcohol ink gives quite a gentle smudged look; graphite pencil seemed to hold up better under acrylic ink; and most black pens tend to turn brown under both alcohol and acrylic ink.

Fiona and I discussed the test pieces a

The experiment with these can be seen below. Observations include: hard graphite pencils work well; black ball point stands up ok; and Sharpies can be useful for smudged effects and don't go brown. I think I will be using hard graphite pencils for my base sketches if I want a clear image or contrast.

I'm quite amazed that, with Fiona and Megan's encouragement, I have spent quite a bit of time experimenting with papers, inks, layers, pens and pencils. The good news is that I think I'm just about ready to redo some of my pieces and apply the knowledge I have gained.





Wednesday, December 18, 2024

Orchid joy on rainy days

 

We have had so much grey and so much rain it has been difficult to pick times to get out and walk; but on one occasion I walked to G's orchid house and was offered the joy of the blooms in this post.

The orchids seemed to be enjoying the rain and warmer weather - beautiful colours and forms to bring joy and reinforce hope. I love the fresh raindrops on the orchids.







In grey and dark times it is so uplifting to discover fragments of beauty close to home.