Monday, June 10, 2013

Online shop re-opens

Going back about a month ago I indicated on my blog sidebar that I had to close my shop because there were serious problems after a software upgrade by a provider went pear shaped.



The shop is back online - though it still has a couple of little quirks - like irrespective of the postage that I apply to items the software wants to make all postage $10 - hopefully we can get that sorted in the not too distant future.

In the mean time I have decided to have a 15% off sale for the rest of June 2013.

The sale re-launches the shop; and hopefully lessens the impact of any postage and handling issues.

So any items purchased between now and midnight on 30 June will be refunded 15% on the cost of the items purchased through Paypal. Could be a good time to make a purchase or two - there are quite a few new items in the shop.





Thanks for your support and understanding.

Sunday, June 9, 2013

Progress with polishing etc...

Over the weekend I have managed to grind and polish the found earrings and the Peace Book Pendant pages. I have also attached the ear wires to the earrings and jump rings to the earrings and the Peace Book Pendants.

A few photos of the 'found' earrings.

©2013 Barry Smith - Found Earrings
©2013 Barry Smith - Found Earrings - Wings
©2013 Barry Smith - Found Earrings - Cogs
©2013 Barry Smith - Found Earrings - Slice of time
©2013 Barry Smith - Found Earrings - Hammers of time
©2013 Barry Smith - Found Earrings - Leaves
©2013 Barry Smith - Found Earrings - Scrolls

And  few photos of the Peace Book Pendants.


©2013 Barry Smith - Peace Circle
©2013 Barry Smith - Mini Peace Book Pendant
©2013 Barry Smith -  Peace Book Pendant cover
©2013 Barry Smith - Mini Peace Book Pendant
©2013 Barry Smith - An open Peace Book Pendant with reflected brass colour
©2013 Barry Smith - Peace  Pendant
All the Peace Book Pendants are cut from recycled silver-plated EPNS or silver-plated copper. I need to attach the chains for the pendants, give them a final polish and then they are complete. Some will go into the Online Shop and Open Studio (6-7 July); and others will go into the Peace and Stillness Exhibition at Rosebead Street Gallery.

Friday, June 7, 2013

A whole lot of polishing going on...

During the week I was cutting and creating stuff for a number of purposes: Flags for Peace 2013; our Peace & Stillness exhibition in August-September; the library display; and the 601 mvr open studio on the 6-7 July. But whilst I was cutting and, stamping and hammering I was not able to get out in the open to grind and polish - it has been too wet.

©2013 Barry Smith - A fragment of peace
Today was finally fine enough for me to get out. I set myself a very ambitious goal - grind and polish: 21 flags for peace 'flags'; the Peace Leaves (for both the exhibition and the library display); odd bits of found earrings; and the Peace Book Pendant pages.

©2013 Barry Smith - P{eace Leaves - requiring a little polishing
©2013 Barry Smith - Some found earring bits
©2013 Barry Smith - A fan of unpolished peace 'flags'
©2013 Barry Smith - Detail of unpolished peace 'flags'
©2013 Barry Smith - A bowl of peace book pendant pages (12 books in all)
Well I managed to get the 'flags' done - these will be held on a rope suspended by split rings to enable movement and hopefully chiming in the breeze.

©2013 Barry Smith - A fan of polished peace 'flags'
©2013 Barry Smith - Detail of a fan of polished peace 'flags' - reflecting a bit of overhead red light
The Peace Leaves are also complete.

©2013 Barry Smith - Polished peace leaves
But the Peace Books and found earrings bits will have to wait for another day. Still a pretty good afternoon's work - and a few different lines of work progressed. I can hear a cork that is calling to be popped - so I guess it is time for me to go and work with Fiona on the blue cheese and pumpkin risotto.

Wednesday, June 5, 2013

Magic morning and images of a journey

I was going to do this post on iPhone photos taken of fragments of my recent trip to Japan; but ten minutes of beauty on this mornings early morning walk meant that I felt I just wanted to share both.

So first the ten minutes of colour from an early morning sunrise as I walked along Treehaven Way.

©2013 Barry Smith - Winter morning sunrise 1
©2013 Barry Smith - Winter morning sunrise 2
And then a few random images of fragments of beauty from the recent trip to Tatebayashi.

©2013 Barry Smith - Rusted corrugated iron
©2013 Barry Smith - Printing press roller and registration marks
©2013 Barry Smith - Light through the printer's cloths
©2013 Barry Smith - Spring growth through a fly screen
©2013 Barry Smith - Smears of printer's ink on concrete floor
©2013 Barry Smith - Rust - nail, wire, corrugated wall
©2013 Barry Smith - Gold amidst the new growth
©2013 Barry Smith - Dried and withered but holding beauty
©2013 Barry Smith - Fragment of a garden bed
©2013 Barry Smith - New growth on a temple's Ginko tree.
©2013 Barry Smith - Eroded but still doing its job as part of an ancient temple
©2013 Barry Smith - Ready for harvest
Over the last couple of days I have spent some in the garage-studio in the afternoons. I have cut and hammered heaps of metal; but because we are in another rather wet and cold period I have not been able to get to trim and polish pieces. I hope I can do a fair bit of that over Thursday and Friday and be in a position to share images of the fruits on my creativity on Friday.

Sunday, June 2, 2013

Meeting a master in Japan

One of the benefits of our recent art-culture exchange to Japan was that we got to spend time in the studious of some Tatebayashi artists including : a printmaker, an environmental artists; and a master metal worker.

I was particularly lucky in that I (and Fiona) got to spend the morning with Haryu san a metal worker recognised by the Japanese government as a national master copper artist. He has been working copper for 60 years.  Haryu san willing opened his workshop studio to us and with our friend Hiro's assistance as interpreter we were able to have a conversation about his work.

©2013 Fiona Dempster - Haryu san explains the technique he used in creating the pot in my hands and below and the role the forming tools in front of us played - many hours of work
©2013 Fiona Dempster - A very complex pot created from a single sheet of copper 
©2013 Fiona Dempster - Hiro interprets whilst Haryu san shows his collection of ancient hand beaten copper tea-saki pots and crayfish
I had tool envy big time - he just had so many stakes, hammers and other tools.

©2013 Fiona Dempster Haryu san's metal working station - the large domed stake on the left was handed down to Haryu san by his father
©2013 Fiona Dempster - A small part of the collection of stakes, forms and mallets 
©2013 Fiona Dempster - A small part of the collection of stakes, wedges, hammers and mallets 
One of his renowned works includes a suspended and balanced formed cup-bowl, ladle and water trough was based on Confucian philosophy about balance.

©2013 Fiona Dempster - Piece that is a practical demonstration of Confucian philosophy of balance
As I understand it Haryu san had created this piece from his understanding of Confucian philosophy and an ancient Chinese drawing of such a water feature even though this knowledge had all been lost in China. He has made a larger work that is now in the Chinese Confucian institute. He continues to replicate this work on various scales to promote Confucian philosophy regarding water and balance in life.

It was good to share information regarding hammering techniques including about our pieces below.

©2013 Fiona Dempster - Haryu san and Barry compare and discuss bowl making techniques
I was honoured that this master (mark of the master below) willingly gave so much time to me.

©2013 Fiona Dempster - Haryu san's maker's mark
If language and resources permitted I think it would be great to spend a few weeks with Haryu san and learn a little of the old and traditional Japanese skills of metal working.

Friday, May 31, 2013

Foraging and cutting on Friday

Fiona and I went to town for a variety of things today; but as we were about to leave the car-park of our local IGA store I noticed a very large rubbish skip that was crammed full of stuff from the recent refurbishment of the store. Thank goodness most other folk were at the local show so we could do a bit of foraging or skip surfing - and we came home with a lot of good stuff - I will post on that later.

This afternoon was given over to art. I had planned to do another personal shrine; but when I got down to the studio-garage metal called and I was drawn into doing a heap of cutting, grinding and drilling for a series of Peace Book Pendants. I love doing these - both the process and the message that is finally contained in each; and carried by those who wear them.

You can see some images of the 'books' cut; clamped for grinding all the 'pages' to a uniform size; drill holes through the sheets; and the edges before I take them off for polishing after the peace words are stamped on one of the 'pages'.

©2013 Barry Smith - Peace Book production line - 11 unique pieces in progress.
©2013 Barry Smith - One Peace Book - clamped, ground and drilled
©2013 Barry Smith - Beautiful pages of metal - silver over brass and copper.
©2013 Barry Smith - Five Peace Books ready for stamping and then polishing.
I'm making 11 together - but each is unique. All are cut from recycled metal including a very tarnished and beaten wide bracelet of silver over copper given to me by friends - I'm very fortunate to have such people in my life.  I have created a couple that are less book like (second and third from the left); and a Petite Peace Book on the right. The petite pendant is about 25mm long and 20mm wide - very cute.

Now it is time to create a couple of Barry's gourmet pizzas; and break out a bit of shiraz.