One of the benefits of our recent art-culture exchange to Japan was that we got to spend time in the studious of some Tatebayashi artists including : a printmaker, an environmental artists; and a master metal worker.
I was particularly lucky in that I (and Fiona) got to spend the morning with Haryu san a metal worker recognised by the Japanese government as a national master copper artist. He has been working copper for 60 years. Haryu san willing opened his workshop studio to us and with our friend Hiro's assistance as interpreter we were able to have a conversation about his work.
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©2013 Fiona Dempster - Haryu san explains the technique he used in creating the pot in my hands and below and the role the forming tools in front of us played - many hours of work |
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©2013 Fiona Dempster - A very complex pot created from a single sheet of copper |
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©2013 Fiona Dempster - Hiro interprets whilst Haryu san shows his collection of ancient hand beaten copper tea-saki pots and crayfish |
I had tool envy big time - he just had so many stakes, hammers and other tools.
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©2013 Fiona Dempster Haryu san's metal working station - the large domed stake on the left was handed down to Haryu san by his father |
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©2013 Fiona Dempster - A small part of the collection of stakes, forms and mallets |
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©2013 Fiona Dempster - A small part of the collection of stakes, wedges, hammers and mallets |
One of his renowned works includes a suspended and balanced formed cup-bowl, ladle and water trough was based on Confucian philosophy about balance.
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©2013 Fiona Dempster - Piece that is a practical demonstration of Confucian philosophy of balance |
As I understand it Haryu san had created this piece from his understanding of Confucian philosophy and an ancient Chinese drawing of such a water feature even though this knowledge had all been lost in China. He has made a larger work that is now in the Chinese Confucian institute. He continues to replicate this work on various scales to promote Confucian philosophy regarding water and balance in life.
It was good to share information regarding hammering techniques including about our pieces below.
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©2013 Fiona Dempster - Haryu san and Barry compare and discuss bowl making techniques |
I was honoured that this master (mark of the master below) willingly gave so much time to me.
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©2013 Fiona Dempster - Haryu san's maker's mark |
If language and resources permitted I think it would be great to spend a few weeks with Haryu san and learn a little of the old and traditional Japanese skills of metal working.