Sunday, April 14, 2019

Scroll artists' book


©2019 Barry Smith - Mock-up of the vertical scroll artists' book
I have made reasonable inroads into another artists' book for the Compassion Artists' Book Exhibition. The structure of this book is a vertical pull-out scroll as you can see from the photo above.

The core element of this book was a small brass pump about 17cm long and 5cm in diameter. In have made a couple of horizontally held scroll books in the past - so I wanted to add a new design element; and after talking to Fiona I decided on a vertically held scroll.

Of course one needs to fossic around in the stash and see what will complement that core element and enable one to hold the brass cylinder in a stable vertical position - see pieces below.

©2019 Barry Smith - Chosen bits including a brass door hinge decoration
I cut the vertical aperture in the brass pump-cylinder using a side grinder - gentle work.

©2019 Barry Smith - Drilled holes to act as stops for the cutting process
A brass rod fits through a hole in the screws plug at the top and is housed in a drilled out hole in the base. A butterfly screw and a silver-plated object act as the winder for the rod. The scrolls is to be fitted to the rod and drawn out and held horizontally by another rod. I got the scroll into the brass cylinder by tightly rolling it around the brass rod and inserting it into the base through the hole at the top with the screw plug off.

The photos below show the scroll before rolling and inserting through the plug hole at the top; and the roughly completed book.

©2019 Barry Smith- The scroll is strong paper from a pianola scroll.
©2019 Barry Smith - Scroll roughly attached to the brass standing rod
©2019 Barry Smith - Scroll pulled out to the first holding point
©2019 Barry Smith - Scroll pulled out to the second holding point - the printed surface area of the scroll on display will be about 22cm long and 11cm wide
©2019 Barry Smith - Looking down over the book.
Obviously the scroll needs to be printed; and the whole piece needs to be finessed - but I'm happy with the concept.

Friday, April 12, 2019

More than meets the eye

©2019 Barry Smith - Riveted ends of buffalo black horn earrings
I have put the title - more than meets the eye - to this blog post simply because the process of making buffalo horn earrings from a rough bit of buffalo horn involves quite a few steps. And of course there is the added complication of me deciding to make ten pair.

I actually started the work yesterday as it was raining and I couldn't work in the yard. Whereas this morning was relatively fine so I was able to install a set of stairs down towards one of the terraces; and finish the earrings this afternoon.

 A couple of photos of the horning cutting and grinding follow.

©2019 Barry Smith - Sawing the horn in slices
©2019 Barry Smith - Rough cut bits
©2019 Barry Smith - Grinding on the belt sand - tricky - need to watch one's finger tips
Drilling, polishing  and assembling

©2019 Barry Smith - Sets before the drilling 
©2019 Barry Smith - Some drilled bits and one twig like set finished.
And then some photos of the finished earrings.

©2019 Barry Smith - Ten pair of buffalo black horn earrings with solid silver earwires
©2019 Barry Smith - Rectangles on the original rough horn - bit of a contrast.
©2019 Barry Smith - Longish blocky pair
©2019 Barry Smith - Trio of more organic-twiggy earrings
©2019 Barry Smith - Small pairs - about 3cm long drops
©2019 Barry Smith - Variety of length and colour
Time to put a risotto on and have a relaxing evening.

Wednesday, April 10, 2019

Autumn still offers some colour


©2019 Barry Smith - Hints of pink - Camellia 
It was not raining this morning so that provided the opportunity to take a walk along Treehaven Way.

A few of the images from this morning - above and below.

©2019 Barry Smith - Intense purple centre
©2019 Barry Smith 
©2019 Barry Smith
©2019 Barry Smith
©2019 Barry Smith - Unfurling
©2019 Barry Smith - Banksia catching the sun
©2019 Barry Smith- Grevillea 
The autumn coolness is starting to suggest that winter is approaching; but some of the flowers a saying look at me. Some white blossoms have a more subtle call.

©2019 Barry Smith - White Bougainvillea
©2019 Barry Smith - Paper-like 

Sunday, April 7, 2019

Referencing the mountains

©2019 Barry Smith - The elegance of a found object
I started this small sculptural assemblage just over a week ago. I got time today to finish it. The design lines are deliberately simple. I wanted the materials to speak for themselves: the shape of the plowshare point; the rust; the contrasting shiny stainless steel wire and recycled thick aluminium plate; and oak timber from a dismantled piano. The plowshare point has sat in the rust bank for over five years just waiting for the right moment.

The following photos are of the finished piece photographed with the Glasshouse Mountains in the background.

©2019 Barry Smith - Simple and strong
©2019 Barry Smith - Simple and strong
©2019 Barry Smith - Love the curve of the front
©2019 Barry Smith - The back showing the staples-stitches
I think the piece is simple but beautiful - but you need to love rust and found objects.

Friday, April 5, 2019

Stapled - fragments of work from fragments of time

©2019 Barry Smith - Rust, greyed wood and stainless steel
There was very little time to create this Friday; but I was determined to squeeze in a couple of fragments. I have been working on a larger piece of work that involves stainless steel wire and a rusted object; but I knew I would not finish the piece.

So decided to make a couple of small pieces from rusted parts of a gas cooker. The following photos show the rusted objects marked up, drilled and grooved.

©2019 Barry Smith - Rusted bits from a gas stove top - marked and centre punched
©2019 Barry Smith - Hard metal but still managing to get through breaking two bits
©2019 Barry Smith - Drilled and grooves cut into the bits
And the pieces once they were stapled-stitched and mounted on timber.

©2019 Barry Smith - Stainless steel wire stitching-stapling
©2019 Barry Smith Smaller piece mounted on Huon pine
©2019 Barry Smith - Larger piece mounted on rough cut 'hairy oak'
Some Fridays are given over to community and friends - but it is still nice to end the day having made something in the studio-garage.

Wednesday, April 3, 2019

Images from the road trip

©2019 Barry Smith - Family sculpture made from rusted fuel drums - part of the Walcha Open Air Gallery
Fiona and I headed off the mountain for a few days to celebrate her birthday; and to be inspired by art and places. A few photos here of fragments of the trip.

©2019 Barry Smith - Celtic standing stones - Glen Innes
©2019 Barry Smith - Fiona checks out one of the large natural standing stones - buried 2m into the ground
©2019 Barry Smith - The three central stones
©2019 Barry Smith - Bundle of lights against a dark sky - Stanthorpe

©2019 Barry Smith - Fiona discusses letterpress printing on Albion Presses in the letterpress museum and workshop in Armadale
©2019 Barry Smith - Whale - part of the Walcha Open Air Gallery
©2019 Barry Smith - Tree made from rusted star pickets - Walcha
©2019 Barry Smith - Very large rusted barbed wire ball - Walcha
©2019 Barry Smith - Sliced stine monolith - part of the Walcha Open Air Gallery
©2019 Barry Smith - Nest - mainly wire - found in the front yard of my brother and cistern law's house
Mt. Tamborine - fell out of a huge eucalyptus tree
We returned to the mountain where it has rained and rained. It is all looking very green; but not inviting for walking or doing outdoor tasks.