Showing posts with label Found objects. Show all posts
Showing posts with label Found objects. Show all posts

Sunday, January 24, 2021

Not to everyone's taste

 

It amuses me that many of us tend to collect odd bits and pieces and say to ourselves that they will be good for something. As part of my approach to the new year I decided to look at small bits that I have been holding on to thinking they might be elements of something. In the end I decided to use them in making earrings with a difference.

As you will see from the photos I've used: cleaned vertebrae of a carpet python I found down the back of 601; small brass bits - I think from a chandelier; some primitive looking stylised tiny skulls made from bone - I don't know where they came from; and some silver beads - again not sure where they came from. Some crystals and bone beads added.

I think the pairs of earrings are unusual, unique; but not to everyone's taste. All the earrings have solid silver wires.









I have used up those pieces that have just been around. I think the contrasts between the bone, crystals and silver work reasonably well.

Friday, January 3, 2020

Last three on the workbench

©2020 Barry Smith - Vintage and well worn wooden shoe making form
I have decided that I will not make any more Artisan Lamps. I want to put more focus on letterpress, my hammered metal work, some sculptural pieces and maybe some letter carving in stone.

As part of the start of the year decluttering process I will be getting rid of a lot of the stuff I have collected over time for lamp making. There will be a garage sale in a couple of weeks.

Still as I was sorting the shelves I came across a few pieces that I have thought I would turn into the last three lamps.

This blog shows some of the early stages of the three lamps to be. Some of the starter pieces are below.

©2020 Barry Smith - Some of the lamp parts
The opening photo shows the base of a lamp using a wooden shoe making form - I quite like the quirky 'heel' - balance-weights from a clock. The other two lamps will be made from vintage oiling cans.

©2020 Barry Smith - Glass beads to be used as blast in the base of the oiling can lamps
©2020 Barry Smith - Small vintage oiling can lamp with vintage bakelite light fitting
©2020 Barry Smith - Elongated vintage oiling can on its way to becoming a lamp.
©2020 Barry Smith - Testing the wiring - it took 4 tries and 30 minutes to thread the wire through
Whist there is still a way to go; but the three lamps are taking form.

Friday, June 21, 2019

The metal dictated the final design

©2019 Barry Smith - Patina, rust stainless wire, afternoon sun and the mountains
I really was meant to be working on product today; but got sidetracked by rust. I have quite a stash of rusted circular saw blades which I had planned to turn into a large sculptural piece about the sun. I knew I would only get about 4 hours in the studio-garage today so I decided to indulge myself and make a piece using a rusty saw blade. The metal in the blade was so hard, which makes sense, that I burnt out and broke several bits before giving up. I also tested drilling the rim of steel I was going to use as the outside of the piece - 'hard as' - so more broken bits.

©2019 Barry Smith - You can see the drill bits barely scratched the metal

I decided to use an old copper perforated circle from a vintage shower head; and to suspend it in the circle using stainless steel wire.
©2019 Barry Smith - Perorated copper circle and rim
Process photos follow.

©2019 Barry Smith - Front of the piece with wires in place 
©2019 Barry Smith - Back of piece with wires before tensioning and trimming and hammering down
And the finished piece.

©2019 Barry Smith - Afternoon sun and shadows - the piece on logs
©2019 Barry Smith - The piece raised on a cog on the rust table
©2019 Barry Smith - Hanger on the back of the piece in case somebody wants to hang it on a wall
As one does I decided to use the last cap from an old gas hob and turn it into one of my stapled  pieces. It turned out that this metal was as hard as and resulted in broken bits lodged in the metal.

©2019 Barry Smith - A keen eye will see a couple of spots where bits have broken off in the metal
But I persisted and managed to make another small stitched piece on hairy oak.

©2019 Barry Smith - This ceramic coated cap has had a hard life 
©2019 Barry Smith - Stitched disk on rough cut hairy oak
Frustration as the start of the day; but satisfaction at the end.

Friday, May 31, 2019

A gathering of compassion books

©2019 Barry Smith - Pages of the unbound book "Compassion is ..."
I have completed my 6 artists' book for the Compassion Artists' Book Exhibition. One of my six books, "Kindness, care and hope", is a collaborative piece with Fiona.

Though I have blogged on them in dribs and drabs I was taking some final photos before doing my exhibition paperwork so I thought I'd do a post on them together. So what follows is simply two or three photos of each.

©2019 Barry Smith - The unbound book is very shiny and therefore reflects the timber and glass in the studio
©2019 Barry Smith - An unbound metal book
©2019 Barry Smith - The scroll case and scroll holding weight of "A measure of a society"
©2019 Barry Smith - Scroll of "A measure of a society"
©2019 Barry Smith - The scroll holder of "A measure of a society" - clock weight
©2019 Barry Smith - Looking down on "Giving and gathering"
©2019 Barry Smith - Scroll housed away in its case - "Giving and gathering"
©2019 Barry Smith - "Giving and gathering"
©2019 Barry Smith - Small copper book - "Generous in love"
©2019 Barry Smith - Looking into the pages of "Generous in love"
©2019 Barry Smith - Looking down on "Generous in love"
©2019 Barry Smith - Looking down on the 21 books of the "Precious Library of peace"
©2019 Barry Smith - "Precious Library of peace"
©2019 Barry Smith - "Kindness, care and hope" the trio of sculptural books
I also managed to sort my product for the exhibition. So once the paperwork is done I'm ready to deliver.

Friday, May 17, 2019

Sacred scrolls of compassion

©2019 Barry Smith - Compassion
Finally I got to assemble my scroll artists' books. The letterpress ink took quite a while to dry because the paper was non-porous; and we have had so much moisture from the extended period of rain.

First step with the vertical scroll was to get the vertical case solidly screwed to the base. The scroll was attached to the brass rod-shaft with double sided tape. The scroll was inserted through the top opening; and once the scroll itself was pulled through the slit-opening I was able to add the top plug which I had drilled a hole through; and then assemble the winder over and on to the brass rod-shaft.

The tension on the paper at top near the upright post is less than that at the bottom hence the slight crinkle in the unrolled scroll.

©2019 Barry Smith - Unfurled scroll held by upright post
The piece looks quite sculptural when the scroll is wound back into the case.

©2019 Barry Smith - Scroll young back into vertical case using the brass wing nut
The second sacred scroll is horizontal. Attaching this scroll to the shaft was easier given it could work through the hinged cover.

©2019 Barry Smith - Horizontal scroll - attached to brass rod-shaft which was part of the original brass firefighting pump.
The scroll is wound back into the scroll case using the side handle - this needs to be unlocked and pulled out to enable one to turn the shaft.

©2019 Barry Smith - Winding the scroll back into the case.
©2019 Barry Smith - One more wind and the scroll would disappear inside the case which is held on a brass and timber cradle
Whist there is a bit more tweaking and cleaning to be done these two Sacred Scrolls of Compassion are all but ready for the Compassion Artists' Book Exhibition.

Sunday, April 14, 2019

Scroll artists' book


©2019 Barry Smith - Mock-up of the vertical scroll artists' book
I have made reasonable inroads into another artists' book for the Compassion Artists' Book Exhibition. The structure of this book is a vertical pull-out scroll as you can see from the photo above.

The core element of this book was a small brass pump about 17cm long and 5cm in diameter. In have made a couple of horizontally held scroll books in the past - so I wanted to add a new design element; and after talking to Fiona I decided on a vertically held scroll.

Of course one needs to fossic around in the stash and see what will complement that core element and enable one to hold the brass cylinder in a stable vertical position - see pieces below.

©2019 Barry Smith - Chosen bits including a brass door hinge decoration
I cut the vertical aperture in the brass pump-cylinder using a side grinder - gentle work.

©2019 Barry Smith - Drilled holes to act as stops for the cutting process
A brass rod fits through a hole in the screws plug at the top and is housed in a drilled out hole in the base. A butterfly screw and a silver-plated object act as the winder for the rod. The scrolls is to be fitted to the rod and drawn out and held horizontally by another rod. I got the scroll into the brass cylinder by tightly rolling it around the brass rod and inserting it into the base through the hole at the top with the screw plug off.

The photos below show the scroll before rolling and inserting through the plug hole at the top; and the roughly completed book.

©2019 Barry Smith- The scroll is strong paper from a pianola scroll.
©2019 Barry Smith - Scroll roughly attached to the brass standing rod
©2019 Barry Smith - Scroll pulled out to the first holding point
©2019 Barry Smith - Scroll pulled out to the second holding point - the printed surface area of the scroll on display will be about 22cm long and 11cm wide
©2019 Barry Smith - Looking down over the book.
Obviously the scroll needs to be printed; and the whole piece needs to be finessed - but I'm happy with the concept.