Whilst I have beaten many a simple bowl form - one of the challenges I set myself was to beat a bowl that was a pod or an egg shape rather than an open bowl. I was to go to Portland with Fiona in June; and I was going to learn how to raise and beat these pod forms with
Greg Wilbur a master of this art. But my health event meant we cancelled that trip; and doing this form of metalsmithing was put on the back backburner.
However, recently Greg sent me a
kick-starter link that related to a exhibition of metal work by 11 Japanese and 11 American artists. The exhibition is to take place in Portland Oregon in August 2013. It would be good to be there.
Anyway that is a long introduction to the fact that this motivated me to look at a couple Youtube videos regarding bowl raising; and then it was off to the garage-studio to have a go. The photos below show you a bit of the process and progression of my effort. Two of the pods are made from recycled copper; and the third is from a recycled silver-plate EPNS tray.
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©2012 Barry Smith - Quenched pod after about 4th annealing |
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©2012 Barry Smith - Copper pod under the flame |
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©2012 Barry Smith - Another beating and ready for another annealing |
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©2012 Barry Smith - Copper pods in the raw |
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©2012 Barry Smith - Silver-plated EPNS pod in the raw |
The outcomes are pretty good for a first go. I used my two larger leaf forming hammers to do the raising; and a variety of makeshift metal stakes to do the forming on. Whilst the hammers resulted in some nice tight hammer marks-texture an actual raising hammer may have pushed the metal a little better. I struggled a bit with the makeshift forming stakes so I'm definitely in the market for a couple of stakes that allow me to get inside the pods a little better.
The bigger of the copper pods (right hand side of the photo) is about 6.5cm high; 5.5cm in diameter at the widest point; and the opening at the top is 4cm in diameter. Fiona wanted the copper pods left raw - she felt they looked ancient and had recently been unearthed. Anyway she has now acquired another couple of prototypes.
The copper was much easier to work than the silver-plate EPNS. I think I will do a bit of planishing on the silver-plate pod and give it a bit of shine just to see what it looks like.
And on Wednesday I indicated I have been doing a bit of sorting of the workshop including my metal offcuts (see below).
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©2012 Barry Smith - Metal offcuts |
I have a fairly large stash of copper, brass and ENPS off cuts that could go to a few good homes if anyone is interested. The offcuts tend to be generated when I'm making leaf-bowls and other bowls. And I have more than I can possibly use. The offcuts are large enough for jewellery making. All are recycled material. If you contact me via the
website contact page I can send a parcel to you.