Showing posts with label Riveting metal. Show all posts
Showing posts with label Riveting metal. Show all posts

Friday, September 5, 2025

Olive ladles

 

One of the designs I developed for my handmade ladles is a perforated tiny (3.5cm diameter) ladles with the handle bent at about 90 degrees to the bowl.  See a photo of the bowl section of three olive ladles in the opening photo. 

I refer to these ladles as Olive Ladles as initially I designed them being used to scoop olives out of a jar; and for the perforations (holes) to let the oil or vinegar flow back into the jar. 

People who have bought the ladles say they can use them for scooping out cocktail onions and capers.

Some process photos of the making of the ladles follow including - starting with disks of decorative silver-plated metal cut from salvaged silver-plated brass placemats; punching holes into the disks; planishing the backs of the bowls after they have been formed from the disks (see planishing hammer in the photo); and attaching the brass rod handles with copper or brass rivets (see the small riveting hammer in the photo).





In my last couple of making sessions I made seven of these olive ladles as you can  see from the photo below. Why 7? I like odd numbers; and also needed quite a stash as I had orders for four!!



Sunday, May 26, 2019

Low tech assemblage of largish etched metal books

©2019 Barry Smith - Handmade tools to set the 8mm thick aluminium rivets - the riveting tools were made from a hardened steel punch
Fiona and I have assembled and opened our largish aluminium sculptural book collaboration. The trio of books focuses on aspects of compassion. The trio is to be exhibited in the Compassion Artists' Books Exhibition.

If you check out Fiona's blog she gives a great overview of the words etched into the metal (care, hope and kindness); and the reason we chose the Ubuntu symbol for the front covers of the three books.

Because we used salvaged aluminium sheet it was necessary to paint the backs of the etched sheets to cover the very distressed look of the metal.

©2019 Barry Smith - Beautiful layers on the sheet that I threw over the hedge to create a spraying backdrop
©2019 Barry Smith - Painted metal sheets drying
I thought I would complement Fiona's blog by showing a few photos of the low tech assemblage process including riveting.

©2019 Barry Smith - Rudimentary riveting station
©2019 Barry Smith - 8mm hole drilled through the three sheets of aluminium into timber below
©2019 Barry Smith - 8mm aluminium rivets cut to length (1cm) for the job
To open the books accurately we utilised some of the very solid hardwood posts in our stash.

©2019 Barry Smith - Low tech bending approach - book clamped between a large eucalyptus post and a plank of camphor laurel.
©2019 Barry Smith - Low tech bending approach - book clamped between timbers.
©2019 Fiona Dempster - Low tech bending approach - two person muscle action - Fiona stepped back long enough to take the photo and then was back on the job!!!
©2019 Fiona Dempster - Marking where the top board would be clamped to create a sharp edge to bend against
Fiona was in charge of judging the angles of the open pages to ensure the words were visible.

©2019 Fiona Dempster - Care emerges
©2019 Barry Smith - Yes that looks about right - not an exact science!!!
I think the outcome of our combined effort has resulted in a strong piece for the exhibition.

©2019 Barry Smith - Trio of compassion - care, hope and kindness - the tallest book is 80cm high and 60cm wide.
The trio is meant to be installed in a garden but or course it could also be installed inside. Given that it made from 1.5-2mm thick aluminium sheet it is light enough to move around. Now of course there is much paperwork to be done for the exhibition.

Sunday, November 4, 2018

Ladles - hammered bowls meet twisted brass rods


©2018 Barry Smith - Riveted patch on the rim of one of the ladle bowls
Over the weekend I managed to start and finish a stash of small ladles - 9 in fact.

One of the things I like about the ladles is taking some pretty ordinary silver-plated metal and being able to form shallow vessels from it; and then bring out the beauty with hammering; grinding and polishing.

©2018 Barry Smith - 8 hammered shallow bowls ready for grinding and polishing
©2018 Barry Smith - First grind and polish on the wheel
©2018 Barry Smith - After last hand polish is complete
I surprised myself with the making and riveting of the solid brass rod handles I managed to do this task in about 2.5hours.

©2018 Barry Smith - Twisted brass rod for ladle handles
©2018 Barry Smith _ Handles - twisted, hammered, drilled for rivets and ground
And the ladles looked good when they were assembled - hammered vessels meet the twisted brass handles.

©2018 Barry Smith - Handles riveted to ladle bowls
©2018 Barry Smith - The three odd ones
Just a last bit of a grind to ensure that none of the rivets sit proud and then they are ready for market.

Sunday, August 12, 2018

Metal and buffalo horn jewellery

©2018 Barry Smith - Brass wire inlaid into blackish buffalo horn - last photo shows this is a detail of a pendant
I like how the silver-plated metal, blackish buffalo horn and rivets have come together - quite elegant.

I will just let the pieces speak for themselves.

©2018 Barry Smith - Silver-plate, brass rivets and buffalo horn pendant - about 6cm long
©2018 Barry Smith Silver-plate, brass rivets and buffalo horn pendant - about 6cm long - horn is about 3mm thick
©2018 Barry Smith - The grain in the horn was too nice to cover on this pendant 
©2018 Barry Smith - Slender buffalo horn and brass rivet earrings - all the earrings have solid sterling silver earwires - drops are about 6cm long and 5mm square
©2018 Barry Smith - Rectangular earrings - blackish buffalo horn, hammered silver-plater brass rivets - drops are about 4cm long and 8mm across
©2018 Barry Smith - Almost square - brass and aluminium rivets in blackish buffalo horn - drops are about 2cm long and 1.54cm across
©2018 Barry Smith - Blackish buffalo horn with inlaid brass and stainless steel wire - this was Fiona's suggestion - she thought the saw cuts in the horn needed highlighting - it worked - still a bit rough but it started from a very rough off-cut - about 6cm long, 3.5cm wide and .8cm thick.
Hopefully I will be fully functional again next week.

Friday, August 10, 2018

Preparing horn

©2018 Barry Smith - Five slices of buffalo horn for pendants - rough cut
I got a bit of a twinge in my back after shovelling some gravel so no heavy work involving bending and twisting was the order. The next planned post installation for the terraces just has to wait a while. I decided to continue my riveted jewellery work but combine slices of almost black buffalo horn with the metal and rivets.

Slicing and sanding horn is quite a time consuming process because I do it by hand to: minimise horn dust; and also not to burn the horn with fast rotating sanding equipment.

The goal was horn for three pendants and 3 pair of earrings. But one tends to cut a bit more when one is in the process.

©2018 Barry Smith - Pieces for earrings and a couple of odd offcuts - rough cut
©2018 Barry Smith - Pieces put back into the horn stash for another day
I do the sanding sequentially with the following grits: 80, 240, 400 and 800. I finish off by polishing the horn with metal polish.

©2018 Barry Smith - Sanding on 80 grit creates quite a lot of horn dust - smells like burning hair when sanding with the coarse sandpapers - I wear a good quality charcoal filter mask when I do this work
©2018 Barry Smith - Pieces of hon with 4 grit level of sand paper as the background
©2018 Barry Smith - Buffalo horn being given the final polish with m,metal polish - takes a few blemishes away and bring out the colour
©2018 Barry Smith - Before and after photo
©2018 Barry Smith - Though I put heavy cloth bandaids on my thumb and finger I still managed to sand a bit of skin off my thumb - the sacrifices of artists???
The pieces are then ready for drilling, riveting etc.

©2018 Barry Smith - Three buffalo horn pieces ready for pendant making
©2018 Barry Smith - Three sets of buffalo horn for earrings
©2018 Barry Smith _ Not sure what this will become - I cut a section off the horn where I had been doing the vertical cuts to create the slices for pendants and earrings.
The process of making the above horn pieces took about 3.5 hours. I'll post on the finished pieces on Sunday.

Friday, March 10, 2017

Assembling fish

©2017 Barry Smith - My homemade riveting tools were given a polish in readiness for the fish assembling
The title is right. Today I finished the components for the 10 Funky Fish assemblages I'm making. So I started the job of riveting the components together.

©2017 Barry Smith - Beautiful our copper rivets from Tatebayashi Japan
Each fish is made up of 6 components - all made from recycled metal from silver-plated trays; silver-plated coasters; and brass jardinieres.

©2017 Barry Smith - Flippers
©2017 Barry Smith - Fins under the tail
©2017 Barry Smith - Dorsal fins
©2017 Barry Smith - Tails
©2017 Barry Smith - Heads
©2017 Barry Smith - Bodies
I have managed to get 3 Funky Fish finished today.

©2017 Barry Smith - Cute baby fish - about 15-16cm long
©2017 Barry Smith - Larger chunky fish
©2017 Barry Smith - Skinny fish
©2017 Barry Smith - The beginning of a school of fish????
I'm hoping to get the rest completed over the weekend