Sunday, December 18, 2016

Melted metal with a message

I wanted to melt a few different and small amounts of gold and silver that had belonged to me, Fiona and her mum to create a couple of small pieces of jewellery that carried the memories of all three of us. I had to do this metal melting on my own as I wanted it to be a surprise for Fiona. I wanted pieces that showed the natural texture of the molten metal as it set as soon as it hit the air. As you can see from the photos below I managed three small pieces: one pendant and a couple of pairs of earrings.

©2016 Barry Smith - Ingot (about 2cm square and 2-3mm thick) - solid silver and a little gold
©2016 Barry Smith  - Small ingot earrings - shaped and hammered with dandelion image stamped into them
©2016 Barry Smith  - Small ingot earrings - natural forums - Fiona's favourites
And of course because I had fired up the electric melting melting furnace I decided to replace a few of my heart shapes; and pour a a couple of ingots etc using the fine offcuts of silver-plated brass and EPNS.

Again I was doing this on my own so it was a bit hard to juggle the propane flame to keep the moulds and the pouring metal hot - therefore the metal had a bit of a tendency to cool in blobs very quickly as it came off its 1100degree centigrade peak. Still I managed some good heart shapes with texture.

©2016 Barry Smith  - Three silver-brass hearts - still in natural poured form
©2016 Barry Smith  - Three silver-brass hearts - shaped and polished
A couple of broken hearts?

©2016 Barry Smith  - This is what happens when the metal is cooling off in the pour and the soul is not warm enough
I plan to stamp the back of the hearts with the words love, hope and peace.

A good solid ingot poured the last of the metal into a rectangular mould.

©2016 Barry Smith  - Solid silver-brass ingot (about 2.5cm wide X 5cm long X 2cm high) 
I largish pendant ingot.

©2016 Barry Smith  - Solid silver-brass ingot (about 2.5cm wide X 5cm long X .5 cm high)
And offcuts that will find homes. Look a bit like gold nuggets???

©2016 Barry Smith  - Solid silver-brass offcuts - shaped, polished and stamped with dandelion images
I still think metal melting is a two person task from both the safety perspective and keeping moulds and metal at optimum temperature. Still not a bad outcome.

Friday, December 16, 2016

Art to acknowledge the contribution and giving of others

During the week I completed some art pieces that would be given away to let others know that their giving and contribution to community does not go unrecognised.

I made a double jointed quirky Artisan Lamp for a friend to let her know that she is a special kind of person.

©2016 Barry Smith - Double jointed Artisan Lamp
The lamp started with a collection of bits including: a machine wheel and bearing; brass and wood sections from two brass spray pumps; some hidden hinges I picked up in a box of junk; a hammer brass bowl; and a vintage brass light fitting.

©2016 Barry Smith - The beginnings of an Artisan Lamp - including brass pipe sections cut and drilled
The lamp can  be bent to different angles by opening and closing the hinges; but can stand tall when the hinges are closed.

©2016 Barry Smith - Dundee joints in action and light on

©2016 Barry Smith - Aligned and standing tall
The second task I set myself was to make 60 smallish (about 7.5cm to 10cm long) silver-plated peace and love leaves to distribute to the volunteers and workers of one of our local services. The photo below shows what 60 smallish leaves look like on the grinding bench.

©2016 Barry Smith - Sixty leaves of love and peace
©2016 Barry Smith - Seven leaves of love and peace on the grinding-polishing bench
Couple of photos of metal chips and the residue from the grinding wheel on the bench top.

©2016 Barry Smith - Metal chips destined for the metal melting furnace
©2016 Barry Smith - Marks let amidst the grinding residue on the bench
It is useful to have the skills to be able to make small offerings to recognise the great contributions that others make.

Wednesday, December 14, 2016

Orchids and blossoms in the morning light and super moon at night

Fiona and I are minding a few of her dad's orchids whilst he is on the road. I was taken by the way the soft morning light was just capturing the delicate beauty of some of the wee orchids. Just brilliant shapes and colours as you can see below.

©2016 Barry Smith
©2016 Barry Smith 
©2016 Barry Smith
©2016 Barry Smith
©2016 Barry Smith
And this morning the vibrant purple of the blossom below caught my eye as I walked Treehaven Way; and the ginger blossom was perched a couple meters in the air capturing filtered light.

©2016 Barry Smith - Delicate purple dusted with dew
©2016 Barry Smith
And what is not to love about a clear sky and a full superman - just one photo from about 7pm on Tuesday evening and another captured at about 2am this morning. The rotation always gets me.

©2016 Barry Smith - Rising suspended super moon 
©2016 Barry Smith - Sinking super moon 
The simple things around one can make one smile even in hard times.

Sunday, December 11, 2016

The beauty and chaos of stashes

©2016 Barry Smith - Rusted circular saw blades (ranging in size from 20cm-50-60cm)
It is nearing the end of the year; and that means in January there will be a clean up and a cull of unused stuff including art material.  This made me have a bit of a look at my different stashes of recycled material - how bad were they looking, how much chaos?

The the photos in this blog post do not show the whole range of stuff; but they do give an idea of the range of 'collections' I will be sorting through.

Lots of rusty bits

©2016 Barry Smith  - Main section of the rust bank
©2016 Barry Smith - Some sub-collections within the rust bank
©2016 Barry Smith - Detail of bits on the rust table
©2016 Barry Smith - Detail of bits on the rust table
Brass and copper objects.

©2016 Barry Smith - Detail of bits of the copper and brass bank
©2016 Barry Smith - Detail of copper soldering irons
Wood and stone.

©2016 Barry Smith - Detail of bits on the rust table
©2016 Barry Smith - Sandstone and worn hardwood
Silver-plate.

©2016 Barry Smith - Some of the shelves of silver-plate and copper and brass objects
©2016 Barry Smith - Stack of silver-plated serving trays
Tools.

©2016 Barry Smith - Can one have too many hammers?
And workspaces.

©2016 Barry Smith - Jewellery assembling table out of control?
©2016 Barry Smith - Jewellery polishing area out of control?
It will be a renewing and refreshing time as it helps me to think a bit more purposefully about what my art practice will be in 2017.

Friday, December 9, 2016

Bone and metal

©2016 Barry Smith - Part of bone handled fork on worn timber
I knew today that I'd have a few interruptions whilst working in the garage studio even though it is Friday; so I decided to do some work that was straightforward and could be picked up and put down. I have had some clean beef bone on my bench for a while; and an ornate bone handled fork - so I decided to go with those and make a few pendants and pairs of earrings.

As always it starts with cutting - bone and fork sawn with a fine blade.

©2016 Barry Smith
Once the pieces were all cut it was over to the grinding-polishing bench to refine them

©2016 Barry Smith
©2016 Barry Smith - Bone on timber 1
©2016 Barry Smith - Bone on timber 2
And then into the clean studio area to add embellishments and fittings.

©2016 Barry Smith - Ornate bone and silver-plate pendant (about 4-5cm long)
©2016 Barry Smith - Ornate bone and silver-plate pendant (about 3-4 cm long)
©2016 Barry Smith - Small bone pendant (1cm wide and 2.5cm long) with solid silver chain
©2016 Barry Smith - Small bone and silver earrings
©2016 Barry Smith- Bone and solid silver stars
©2016 Barry Smith - Rectangular bone and silver earrings
I was pleased with what I achieved. Now to get ready to duck out to a community event.